in late period.
English at all. There is also an unfortunate belief that French fashion was the same
as English. It was not. Although England adopted some of French fashions, French
dress had its own unique look.
This is an attempt to fill some of the gap and to encourage people to do some French
costuming. There should be more French frocks around!
What this paper covers:
• This paper covers 16th century female fashions in France.
• It covers mostly upper class dress with some middle class. Lower class and
peasant dress is occasionally mentioned, but I have not undertaken a detailed
enough survey of the dress of lower-classes to provide comprehensive
information.
• The paper focuses on the appearance of clothes and how the “look” changes
throughout the century. It does not deal with patterns of clothes or how to
construct them. For construction of late period clothes I recommend Janet
Arnold’s books as providing the most authentic patterns.
• Knowledge of basic terms and clothing concepts is largely assumed, although
I have attempted to explain some terms and use non-technical descriptions
wherever possible. I have also assumed awareness of the most significant
late-period costuming texts, such as Janet Arnold’s books.
Limitations of the paper:
• This paper talks of “French” fashions. However, in 16th century France was
not one homogenous country. It was a collection of regions, under feudal
allegiance to the French crown
• Those regions had different cultures, wealth and even languages. There were
regional dress variations, but they are beyond the scope of this paper.
• The coverage of the last quarter of 16th century is not as comprehensive as I
would have liked as I have collected a smaller number of images from that
quarter-century than from others.
1
This paper is copyright of Irina Lubomirska. It may be used for any study or SCA related purposes,
with appropriate attribution. It may not be used for any commercial or other purposes without express
permission of...
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