The well-known and popuar works of Sasys Krasauskas (1929-1977), People’s Artist of Lithuania have brought forth a number of studies by art critics and inspired commentaries by writers. During his lifetime the artists commented on his own works, yet the secret of their origin and vitality has not been fully disclosed.
re-created in poetry, music, dance, stage-design, painting and sculpture. They function in the most diverse cultural spheres: Foremost in books, the press, art exhibitions, on the stage, and, lastly, on a sporting event or postcard.
Krsasauskas’s works, like the works of every great artist, can be interpreted in many ways. His romantic and poetic conceptions of man were influenced by life itself, by its social and cultural conditions, and by the books Krasauskas illustrated.
Stasys Krasauskas always tried “to interpret the writer’s message and purpose freely through specific means of visualization”, consequently becoming a kind of co-author of the book. Yet the nature of the book’s illustrations conditioned a close link between the artist’s work and literature, poetry in particular. The illustrations for books of poetry, which occupied such an important place in Krasauskas’s works, helped to shape his artistic principles and his individual style. Krasauskas’s illustrations are linked to literary images by associations.
He was symbolist and all his works had two sides. Every work had some symbols and themes. Krasauskas’s graphic art took shape in the late 1950s and early 1960s, when the artist worked on the illustrations of books by Justinas Marcinkevičius and Eduardas Mieželaitis. In Krasauskas’s graphic art, the basic modeling structure of the world’s artistic image was based o n opposites such as life and death, good and evil, light and darkness, war and peace, man and woman, high and low.
In his picture of woman, the artist sought to show symbolically notions of love, motherhood, the vitality of...
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