• Although graffiti is generally considered to be a contemporary artform, it actually originated thousands of years ago. The earliest examples are things like cave paintings and inscriptions on ancient buildings in Egypt, Greece and the Roman Empire, with the word ‘graffiti’ itself stemming from the Italian word graffiato, meaning ‘scratched’. Yet as the art form has evolved, so have the connotations surrounding it, and at present, turning walls into canvases remains nothing more than vandalism according to US law.
• The debate over whether graffiti constitutes art or vandalism is incredibly complex, and depends on many factors, such as the location of a particular piece, and the quality and message of the design. There is no clear answer, and it’s easy to see both sides of the debate — after all, not everyone would be happy to have their property painted without their consent. On the flip side, it could also be argued that graffiti is an artist’s right to freedom of expression, and a way to ensure their work can be appreciated by those beyond the artistic elite.
• A great deal of talent is required to create brilliant artwork, and graffiti is no exception. In fact, there are plenty of street artists whose work clearly displays an immense level of technical ability. Take Retna, for example, who has gone beyond painting walls to cover entire buildings with his distinct calligraphic style, such as the 21-story Cuauhtemoc building in Mexico City. This unbelievably complex achievement required a great deal of strategic planning and real imagination to pull off, as well as a clear understanding of color and composition. This may not be true of all graffiti creations — many critics would argue that you don’t need talent to paint a scruffy tag. However, art is subjective, and there will always...
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